Originally introduced as a hollowbody doubleneck model in 1958, the EDS-1275 assumed its more familiar SG-style body shape in 1962. Always one of Gibson's more esoteric models, the 1275 got its moment in the sun when Jimmy Page began using it for live performances of the Led Zeppelin classic "Stairway to Heaven." Thirty years later, Page is still the artist most closely associated with this model.

From its inaugural appearance in 1937, Gibson's J200 set a standard others have been trying to match ever since. Today--nearly 71 years later--the legacy of Gibson's "King of the Flat-tops" lives on in the new J200 Standard. Upon its introduction in the late 1930s, the J200 immediately filled a need for a deeper, more balanced and powerful sound. It gave purveyors of the new American music scene of the 1930s a reliable, well-built instrument, capable of projecting the sound of the guitar well beyond that of any other acoustic on the market--a fact that still holds true today. It is simply the world's most famous acoustic guitar, and certainly one of most popular, as evidenced by the list of players that have made it their primary acoustic instrument, among them Ray Whitley, Emmylou Harris, Roy Rogers, Gene Autry, Gram Parsons, and Pete Townshend.

As Larry Carlton has shown throughout his multi-faceted career as a first-call session guitarist and a successful recording artist, the ES-335 is the perfect guitar for any musical setting. The Larry Carlton signature model features all the personal specs of the man known as Mr. ES-335, from the custom neck profile to the Carlton Burst finish

Seth Lover's fabled "Patent Applied For" humbucking pickups were added to the Les Paul model in 1957. These dual-coil pickups, quieter yet more powerful than the single coil P-90s that preceded them, combined with the ABR-1 to create a guitar with unprecedented sustain and tone. The 1957 Goldtop Historic Reissue is equipped with BurstBuckers to faithfully replicate the warm, vocal quality and rich harmonic content of the legendary originals. Now part of Gibson's proprietary new Vintage Original Spec series -- the next step in their journey toward perfection.

In an effort to jump start the steadily declining sales of the Les Paul Model, Gibson abandoned the familiar gold finish and used a translucent, cherry sunburst finish which showed off the figured maple tops that were often used on Les Pauls. The renamed Les Paul Standard made its debut in 1958. Now part of Gibson's proprietary new Vintage Original Spec series -- the next step in their journey toward perfection.

The original ES-345 debuted in 1959 in response to demand for an upgrade on the revolutionary new semi-hollowbody design of the ES-335, with the Vari-tone electronics and double-parallelogram inlay. Some things never change. The demand for the ES-345 is still there... and so is the ES-345.

The ES-175 debuted in 1949. With a comfortable body size and stylish pointed cutaway, it quickly became the most popular guitar of the jazz world.

The new Les Paul Axcess Standard from Gibson Custom carries all the elegant styling, fluid body lines and rocking attitude of a classic Les Paul Standard from the golden era of the late 1950s. Upon closer examination, however, the Les Paul Axcess reveals a handful of upgrades -- all modifications made in the name of maximum playability and versatility.

The new limited edition Les Paul Supreme features highly figured maple - the Les Paul's trademark - on the back as well as the top.

The CS-336 represents the Custom Shop's first tonally carved guitar, and the fulfillment of a goal originally set forth over 100 years ago by Gibson founder Orville Gibson: to produce an instrument with one-piece back and sides construction. The mahogany back, sides, and center piece of the CS-336 are carved from one block of wood and, when joined to the maple top, create a guitar with unsurpassed resonance and woody tone. Its scaled down body size and slim taper neck allow for more comfortable playing with no compromise in tone.

The Gibson J185 EC rosewood features a comfortable cutaway giving you the most playability on all frets. It emanates an unmatched tone thanks to its solid premium Sitka spruce top and solid Indian rosewood back and sides. When amplified, this J185 EC is matched by the incredible Fishman Aura Pro (Rib mounted) with tuner that represents the tonal nature of this jumbo acoustic to its fullest. With warm resonance and complete tonal integrity, the sound is matched only by its incredible visual design that includes an Abalone rosette, top and back binding, bound ebony fingerboard with MOP split-block inlays and gold Grover tuners. Get your hands on this jumbo.